In Blur #1 Ibon Salvador explores the borders of the human body. He bombards the human body with cinematographic references like zombie bodies, ghost bodies, automatons and cyborgs. In parallel, he develops a more tactile work, inspired on viscous, slimy, gelatinous and sticky textures. He hacks and reprogrammes the human body and in this way seeks to incorporate information through another perceptive channel; that of touch.