In his first dance film Le Faune, the camera took on the perspective of a sequestered faun. In this second film Chameleon, Joseph Simon turns the camera around to film this lonesome creature, embodied in a chameleon. It’s a body full of ambiguity, twisting desires and fluidity, that searches or chases something. In an attempt to visualize the visceral, the camera dives into the hypodermic via the textures and colours of the skin surface.
Chameleon (film)
Fri 26 Mar | 17:00