The Fool

As a man looks into darkness, he assumes something is there, be it a presence or be it space itself. But is he capable of recognizing the colour black?

With The Fool Connor Schumacher researches the difference between “looking” for meaning and “reading” meaning.

In his work he analyses the world of extremes in which it seems that opposing ends tend to have similar outcomes. By searching for balance between theatrical imagery, transparent use of objects, and composition Connor tries to bring awareness to the here and now.

The Fool in the press

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